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Meanwhile, in exchange for TrueType, Apple got a license for TrueImage, a PostScript-compatible page-description language owned by Microsoft that Apple could use in laser printing. When TrueType and the license to Microsoft was announced, John Warnock of Adobe gave an impassioned speech in which he claimed Apple and Microsoft were selling snake oil, and then announced that the Type 1 format was open for anyone to use. As part of Apple's tactic of opening the font format versus Adobe's desire to keep it closed to all but Adobe licensees, Apple licensed TrueType to Microsoft. At the time, many users had already invested considerable money in Adobe's still proprietary Type 1 fonts. The early TrueType systems - being still part of Apple's QuickDraw graphics subsystem - did not render Type 1 fonts on-screen as they do today. For compatibility with the Laserwriter II, Apple developed fonts like ITC Bookman and ITC Chancery in TrueType format.Īll of these fonts could now scale to all sizes on screen and printer, making the Macintosh System 7 the first OS to work without any bitmap fonts. For compatibility with older systems, Apple shipped these fonts, a TrueType Extension and a TrueType-aware version of Font/DA Mover for System 6. Apple also replaced some of their bitmap fonts used by the graphical user-interface of previous Macintosh System versions (including Geneva, Monaco and New York) with scalable TrueType outline-fonts. The initial TrueType outline fonts, four-weight families of Times Roman, Helvetica, Courier, and the pi font 'Symbol' replicated the original PostScript fonts of the Apple LaserWriter. The system was developed and eventually released as TrueType with the launch of Mac System 7 in May 1991. TrueType was known during its development stage, first by the codename 'Bass' and later on by the codename 'Royal'.

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